THE PIANIST'S WORK ON INTONATIVE COMPREHENSION AND EXPRESSION OF PHRASING

  • L. Kabdurakhmanova The State Conservatory of Uzbekistan
Keywords: music, intonation, musical fabric, melody, work, pianist's work

Abstract

The expressive performance is based on the principle of structural and semantic division of music. The phenomenon of musical intonation is very complex and is closely related to phenomena of a non-musical nature: speech intonation, psychology, physiology, acoustics, poetry. This relationship, presenting a certain difficulty, also provides great assistance in the study of the intonational nature of music.

Author Biography

L. Kabdurakhmanova , The State Conservatory of Uzbekistan

Senior Lecturer of the Department of Special Piano

References

1. Asafiev B. Musical form as a process. L., 1963. —376 p.
2. Great Soviet Encyclopedia. Second ed., V. 18, 620 p.
3. Bulanin L. Phonetics of the modern Russian language. M., 1970. — 206 p.
4. Goldenweiser A. Advice of a teacher-pianist. - In the book: The pianists tell. M.: Soviet composer, 1979. —224 p.
5. Kachura V. The pianist's work on the intonational meaningfulness and expressiveness of phrasing. - In collection: Questions of the theory of music and performance at the present stage. T., 1983 .- 128 p.
Published
2020-11-20
How to Cite
Kabdurakhmanova , L. 2020. “THE PIANIST’S WORK ON INTONATIVE COMPREHENSION AND EXPRESSION OF PHRASING”. EurasianUnionScientists 4 (10(79), 7-9. https://archive.euroasia-science.ru/index.php/Euroasia/article/view/151.