THE PIANIST'S WORK ON INTONATIVE COMPREHENSION AND EXPRESSION OF PHRASING
Abstract
The expressive performance is based on the principle of structural and semantic division of music. The phenomenon of musical intonation is very complex and is closely related to phenomena of a non-musical nature: speech intonation, psychology, physiology, acoustics, poetry. This relationship, presenting a certain difficulty, also provides great assistance in the study of the intonational nature of music.
References
2. Great Soviet Encyclopedia. Second ed., V. 18, 620 p.
3. Bulanin L. Phonetics of the modern Russian language. M., 1970. — 206 p.
4. Goldenweiser A. Advice of a teacher-pianist. - In the book: The pianists tell. M.: Soviet composer, 1979. —224 p.
5. Kachura V. The pianist's work on the intonational meaningfulness and expressiveness of phrasing. - In collection: Questions of the theory of music and performance at the present stage. T., 1983 .- 128 p.
CC BY-ND
A work licensed in this way allows the following:
1. The freedom to use and perform the work: The licensee must be allowed to make any use, private or public, of the work.
2. The freedom to study the work and apply the information: The licensee must be allowed to examine the work and to use the knowledge gained from the work in any way. The license may not, for example, restrict "reverse engineering."
2. The freedom to redistribute copies: Copies may be sold, swapped or given away for free, in the same form as the original.