TYPES OF SUBJECT CREATIVITY IN THE CONTEXT OF GENDER COSTUMES OF DIFFERENT DECADES OF THE XX - EARLY XXI CENTURIES

Abstract

The article is devoted to an important topic of modern costume research from the point of view of types of subject creativity and gender reflection. The relevance of the research is due to the current situation in the world, the change in the vector of its development from centuries-old Patriarchal attitudes towards a bipolar device. In addition, there is a need to apply a comprehensive approach to the study of costume as part of the subject environment. One of the most important approaches to understanding the place of modern costume in the field of subject creativity is to compile its typology from the point of view of types of subject creativity that are part of theoretical research in design. To date, design theorists have identified six types of subject creativity: rationalutilitarian, rational-aesthetic, holistic, stylizing, decorative and artistic. The study attempts to consider the costume not just by types of creativity, but also from the point of view of attitudes to a particular gender. It is noted that the costume of the XX-early XXI centuries, depending on gender, belonged to different types of subject creativity, i.e. they cannot be classified in the same way, each depending on the belonging belongs to different types of creativity.